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THE SHIELD
SEASON TWO NOTES
Season 2, Episode 1 “The Quick Fix”
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Season 2, Episode 2 “Dead Soldiers”
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Season 2, Episode 3 “Partners”
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Season 2, Episode 4 “Carte Blanche”
The episode opens with Vic at his most heroic, humble and appealing. He's coming into the Barn for his first day back on the job after having been shot. He receives some kind of commendation from the department in front of the crew.
Vic's all humble, not wanting to make a big deal of it. He ambles up kind of stiff, still recovering from an ugly gut shot in the previous episode. He's waving off all the credit. "It's a team thing." What a guy.
It was only about the third time watching that it occurred that he might have reasons other than modesty and humility. Thinking back about HOW he got heroically shot in the line of duty- running with his disgraced ex-cop/ex-partner, and so on- it dawned on me that perhaps he didn't really WANT a lot of attention brought to his heroics.
******************************
Season 2, Episode 5 “Greenlit”
The revelation at the end about the old lost woman with Alzheimer's
sets up one of Dutch's couple of best moments in the whole series, talking about
human nature. It's quite a nice little soliloquy.
******************************
Season 2, Episode 6 “Homewreckers”
Air date: 2-11-03
One
particularly
dramatically
satisfying
aspect
of
the
whole
series
comes
from
how
continuing
secondary
characters
are
deployed.
The
series
has
already
killed
several
recurring
characters.
The
cool
thing
is
how
many
characters
have
been
built
up
and
explored
over
multiple
episodes
before
being
killed.
It means a lot more that way. We get to consider the history of the character leading up to their death. We get more emotional investment- which comes as a direct result of the thought and effort the writers put into developing the intricacies of a rounded human personality. Did they die as they had lived? Did they deserve what they got?
The necklacing torture deaths of a couple of bangers in “The Quick Fix” was kind of nasty, but not that meaningful to us. The first we saw of them was standing there with tires around their necks. They were more plot markers demonstrating what this Armadillo guy is about rather than any kind of characters.
It meant a lot more when Tio got the same treatment at the climax of “Dead Soldiers.” I, for one, had built a particularly strong attachment to this highly likable character since back in the spring. The image of his burnt corpse jarred me more than about anything else in the show’s history. Knowing now what they meant, the cries of “Mackey!” coming over Vic’s cell phone are incredibly terrifying on repeated viewings.
The hooker Connie had been in probably a majority of the shows since the pilot. She had a history and some reservoir of emotional investment built up for this character among regular fans of the show. Then tonight some psycho jackass casually kills her just to make a point to Vic. Damn. It means something. Her ghost will haunt the air of the show.
She died good, though- at least in a literary sense. That is, she exited in an interesting and ambiguous dramatic moment- yet without any indulgent trumped up death speech, or contrived last words. Jerk shot her, she fell down dead.
Importantly, she didn’t go out as a doped up hooker killed by a john or beat to death by a pimp. No, she was not hooking, and she was off the dope. She was actually clean, and working a more or less legitimate useful job as a CI.
Yet she wasn't quite martyred for her great altruism. She got herself killed because she got greedy reaching for a $5K bonus for capturing this mass murderer of women. Still, she got killed helping Vic take down a mass murderer.
I kind of hate to say it, but she seemed somehow more empathetic as a strung out hooker than as the responsible citizen she had become in her final appearances. Perhaps the desperation of her depths made it easier to forgive her character flaws, such as the grasping for cash that got her killed.
Was this a "good death"? Did she redeem herself before she died?
************************
Season 2, Episode 7 “Barnstormers”
Air date: 2-18-03
Man,
what
a
trip
into
Dutch’s
headspace.
I
felt
some
anxiety
that
Dutch
was
going
to
take
Vic's
advice
that
sometimes
you
had
to
"make
the
evidence
fit
the
crime."
You
could
see
how
he's
driven
to
the
edge
of
foolish
behavior
by
the
professional
pressure
coming
down
through
Aceveda,
coupled
with
his
own
internal
humiliation
for
having
screwed
up
with
Bob
and
Marcy.
Then watch how he displaces his own humiliation and social inadequacy, exorcising it and also using it to break down his suspect. "When was the last time you saw your own dick without a mirror?" Man, that's cold, if you have any empathy for the other guy- which Dutch totally does. Oh yes, Dutch understands this guy and his self-hatred only all too well.
The perp noted in passing that he worked at a rib joint. Of all the jobs in the world, what is someone like this whose life is TOTALLY dominated by weight issues doing working in a rib joint? It’s a perfect detail of his self-hatred.
A big part of what makes this series so good is the detail of the dialogue, such as here when Dutch explains exactly what happened- with all the suspect’s internal rage and despair over his weight issues. He sets up just that moment, where the gross fat guy is humiliating himself by making out with the gross fat blind date, then she has to get at that candy in her pocket even then. Yeah, his rage and self-hatred comes pouring out. His behavior has been very precisely explained, and all the shadings of personal meaning for Dutch just make it that much better.
The final spin on this storyline came when Dutch gave Captain Aceveda some hell about how he deserved “a little goddam respect” as an outstanding detective who breaks cases no one else in the division can. Damn straight.
-------------------------------------------------
Shane also had a particularly interesting day. His woundedness and vulnerability over Tulips was really touching. His hurt and mistrust toward her were quite strong, and totally understandable, considering the absolute sexual extortion she threw on him in their first meeting last season.
Yet she was all about making up today, with no tricks. Mistrust and ulterior motives or no, Shane couldn't help but take some confused gratification from hearing her mocking the old lover by contrast to Shane. "You've just been busted by my new big dick boyfriend.” Indeed, by the end of the show when she insisted on being "interrogated" she seems to be acting out of genuine affection for poor dumb Shane, and a desire to make up for hurting him so badly before.
Either way, she's ended up with another "yammy full of Georgia joyjuice." Wonder if Shane might not yet end up with that baby Vic was teasing him about.
-------------------------------------------
Thank Shawn Ryan's muse for all the obvious stupid lame plot turns that we get spared in The Shield. I was dreading Connie's inevitable relapse into hooking and drugs. Hey, it ain't gonna happen now.
I dreaded even worse the possible plotlines where Julien's fiancee finds out about his homosexual background. There was every kind of cheap dramatic possibility there for Tomas to show up at a bad time, or spitefully out him, all kinds of stupidity possible.
Instead Julien does the rational thing and just tells her. They got a couple of episodes since his engagement out of Julien's internal angst over whether to tell her, and then they resolved it simply and quietly- and with reasonable adult behavior.
Now, just please don't give us some cheap “uncontrollable” homosexual relapse. Thank you.
-------------------------------------------
I found a couple of things in this episode somewhat unlikely, most especially the low treatment given to Dutch. The thing about Dutch is that he somehow oozes lower-pack status. You look at him, talk to him for a few seconds, and you can just sense that he's a bottom-dog in some metaphysical sense independent of his personal or professional status. Still, his motivation this whole episode builds from his very job being threatened. Aceveda's telling him that he won't be able to protect him anymore if he blows this case like he did the Bob and Marcy case.
His job is on the line? Less than a year ago, he broke Shaun the serial killer with 23 murders. Dutch should be something of a celebrity. One marginal bad case with one victim should be pretty excusable in perspective. Even a schmuck would get SOME juice out such a HUGE case.
A smaller but still curious unlikelihood comes from Emma Prince (Marguerite MacIntyre), the hot chick who runs the women's shelter. Some chick's abusive boyfriend laid his hands on Miss Emma in the middle of the station, in front of everyone. Before Vic could sprint up the stairs to rescue her, she's already thrown the dirtbag over the railing onto the desks below to be carted out in an ambulance. Ha!
But then Aceveda insists that he has to arrest HER for an obvious act of self-defense. Vic had to personally raise her $3,000 bail. What? I'll just say that if this had happened here in Kentuckiana, she'd have been getting a medal or citation or something rather than an arrest record.
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**************************
Season 2, Episode 8 “Scar Tissue”
Air date: 2-25-03
THE
CONSCIENCE
GETS
IT
WRONG
Detective
Claudette
Wyms
most
generally
acts
of
the
conscience
of
the
show.
Young
Julien
tries
to
do
right,
but
he’s
young
and
hasn’t
faced
a
lot
of
the
real
tests.
Aceveda
mostly
tries
to
color
within
the
lines,
but
he’s
compromised
by
his
political
ambitions.
Then
of
course
there
is
Vic
Mackey,
who
has
been
known
to
kill
a
snitch,
much
less
beat
a
suspect.
This
character
Claudette,
then,
was
designed
to
be
the
fulcrum
on
the
scales
of
justice.
Indeed,
the
principle
conflict
within
the
station
in
the
second
season
has
come
to
be
NOT
the
original
setup
of
Mackey
versus
Aceveda,
but
Mackey
versus
Wyms.
She
knows
about
everything
except
his
original
sin
from
the
“Pilot”
episode.
Even
not
knowing
that,
the
conscience
has
become
increasingly
skeptical
of
Vic.
He
seems
to
have
reached
the
limits
of
her
ability
to
abide
by
the
“don’t
ask,
don’t
tell”
policy
she
articulated
in
the
first
show.
Fair
enough.
However, she has arguably gone well over the line in this case. She’s seriously getting up into Vic’s life when she went to work on the estranged wife. “Is that what he told you?” This line in particular, and Claudette's whole interview with Mrs. Mackey looks more egregious every time I watch it.
She
was
purposely
and
consciously
driving
a
wedge
between
husband
and
wife.
It’s
none
of
your
business
between
him
and
the
wife.
Her
claim
to
be
interested
simply
in
their
safety
doesn’t
ring
very
true.
She
has
to
know
that
Vic
is
seeing
to
his
own
family’s
security.
She’s
looking
for
goods
on
Vic.
Let’s
be
honest
with
ourselves
first,
and
then
also
with
others.
Specifically,
I
object
to
her
summary
scene
with
Vic.
Understanding
fully
the
true
basic
actual
facts
of
the
Armadillo
case,
and
Ronnie
getting
burned,
she
renders
the
judgment
of
the
court
of
her
own
conscience
by
telling
Vic
“It’s
all
on
you.”
So
Vic
is
officially
the
goat
here?
How
figure?
The
“bad
thing”
that
Vic
really
did
in
this
whole
story
was
offering
protection
and
taking
payoffs
from
Tio,
Armadillo’s
late
business
rival.
However
bad
that
was
or
wasn’t,
it
had
nothing
to
do
with
Ronnie’s
torture
session.
No,
basically
Vic
was
after
Armadillo
because
the
guy
was
an
evil
sociopath,
responsible
for
numerous
particular
gruesome
necklacing
deaths
and
some
nice
kiddie
rape
for
good
measure.
As
a
representative
in
Vic’s
defense
in
this
instance,
Vic’s
burning
of
Armadillo
was
fairly
brutal
and
certainly
way
over
the
line
legally.
Still,
take
into
account
the
proportionality
of
Armadillo’s
offenses.
What
Vic
did
to
him
was
not
the
tenth
part
of
what
he
was
regularly
visiting
on
other
people.
Armadillo
perfectly
well
knew
this,
and
indeed
turns
out
to
have
purposely
courted
some
kind
of
brutality
from
Vic,
thinking
he
was
purchasing
some
kind
of
get-out-of-jail
card.
Armadillo
burned
Ronnie
as
a
message
to
Vic.
Therefore,
Armadillo
is
the
bad
guy,
not
Vic.
Armadillo
declared
war
on
cops
who
were
trying
to
stop
him
from
killing
and
raping.
He
lost.
Claudette
Wyms,
the
voice
of
conscience,
simply
made
a
bad
call
in
declaring
Vic
Mackey
to
be
responsible
for
the
recent
unpleasantness.
What is Vic
really
supposed
to
do
when
a
truly
wicked
person
like
Armadillo
comes
along?
He
should
have
regarded
himself
as
lucky,
and
as
having
been
treated
leniently
in
that
Vic
didn’t
just
goddam
kill
him
instead
of
merely
burning
him.
Vic
does
his
share
of
bad
things,
but
not
everything
is
his
fault.
-------------------------------------
You
could
even
fault
Vic
for
sometimes
in
the
series
not
being
thuggish
enough.
In
“Scar
Tissue”
he
was,
as
Shane
observed,
“holding
back.”
In
the
pilot
of
the
series,
Vic
committed
a
cold
blooded
murder.
Since
then,
however,
he
has
not
absolutely
assassinated
anyone
–
even
a
couple
of
times
when
arguably
he
should
have.
He’s
restrained
by
some
small
burden
of
guilt
that
he
glancingly
references
from
time
to
time,
such
as
when
he
asked
his
old
training
partner
about
having
“gone
too
far.”
The
old
trainer
replied
something
like
that
going
TOO
far
gets
you
kicked
off
the
force
for
brutality,
not
going
far
enough
will
get
you
killed.
I suppose Vic deserves to feel some guilt over the original sin, but he’s had a couple of cases now that really screamed for assassination. Gilroy shows up at the house threatening MY people and planting a murder weapon in my child’s room, he’d best get where I’ll never, ever find him. I’d consider that self-defense. From that point, my family would not be considered safe as long as this guy was walking around. As a juror, I would absolutely acquit a guy charged with murder under those circumstances.
This case with Armadillo was another. He was not simply a dope dealer, but a uniquely cruel and murderous bastard, clearly the worst customer in the entire run of the series, probably by numbers even worse than Shawn the serial killer. He pretty openly declared war on the Strike Team. Again, here’s a guy who was willing to go after his family. Arguably Vic’s mistake was burning Armadillo rather than just outright killing the satanic bastard.
-------------------------------------
One especially cool thing about this series is how the whole tone of the thing turns on a dime, not just by cutting to another scene with other characters but within a scene and following a particular character. Danny provided a perfect example here. She's having a pretty good day, getting to try out detective work- even considering stepping up into that line. She's having such a good time that she just about laid a big ol' kiss on Dutch, and she's giggling about it with one of the girls when UMPH, right over her shoulders in the same continuing shot the Los Mag in the cage is suddenly knifing Armadillo- suddenly not just changing the immediate light mood but sending Danny off into suspension for supposedly not having searched the guy enough to find the big knife he just used, and sending her entire career crashing.
On the other hand, there was just a quick shot in the closing montage with the girls in the station giggling over Dutch like little schoolgirls as he left the station, enjoying some small increase in perceived romantic viability after Danny (the alpha-female of uniformed gals in the station) admitted to having wanted to kiss him. It was nice to see him smiling, feeling that little scrap of female acceptance.
-------------------------------------
-------------------------------------
**************************
Season 2, Episode 9 “Day One”
Air date: 3-04-03
They took an interesting creative tactic here of casting this episode back in time before the pilot, showing the first meeting of Vic and Aceveda. This episode seems to be the main one in the entire series that some hardcore fans grumble about, but I think it's brilliant. Seeing all these things now rings out in fascinating ways, knowing where these characters are going. Connie and Rondell are long dead, and we're seeing them here knowing what fate has in store for them.
Most especially, seeing exactly how Terry was recruited and why adds more resonance to his assassination in the pilot. In the pilot, Aceveda talked him into setting Vic up. Going back now- almost two seasons on, we see that Aceveda specifically brought Terry in literally -per the episode title- from day one for the express purpose of undermining Vic. This adds more shades of meaning and justification to Vic's original sin- except that Vic apparently never actually knew about this part.
I particularly appreciate how the episode ends in a deceptively low-key manner with just one line of overlap from the pilot, bringing it right up to speed, as Vic introduces Terry to the team, and Shane starts what we know will be short-lived male bonding. "We LOVE you pretty boys from robbery." [FROM PILOT]
-------------------------------------
-------------------------------------
Gannon's comeuppance was brilliant. He was the perfect foil to set up the introduction of Claudette. Gannon, a celebrity within the department for one big serial killer case decades ago, was so perfectly unlikable. The perfectly callous cruelty toward Dutch was particularly calling out for a slap down. Dutch starts out by praising him, and following him around like he's Clayton Delaney. He's clearly treating the guy like some hotshot, which admiration he repays by purposely calling him everything but his right name, by shutting him out of the interrogation room, and just general backstabbing and bitchiness.
He exhibited such a combination of meanness and arrogance- then Claudette humiliated him just exactly by a display of humility herself, quietly allowing Aceveda to give Gannon credit for the crime that SHE had solved. It was gratifying to watch him walking away with his head hung in shame. "Credit is overrated" she explained to Dutch, who from that moment was wisely no longer interested in sucking up to the supposed hotshot.
Note how much smarter Claudette was than the blowhard Gannon. The kidnap broker (an intermediary) won't help them catch the kidnappers. Gannon's idea is just to lock him up, sweat him, coerce him. Claudette, on the other hand, put herself in his shoes enough to figure out how to- as Dutch noted- not only get the guy to do what they wanted, but feel good about doing it.
-------------------------------------
If I were to complain about one thing though, they did perhaps lay it on Dutch a little thick here. Jebus Criminy, but he's being disrespected and dressed down literally the minute he walks in the door. Pretty near every single scene he was in here involved some form of humiliation or disrespect.
**************************
Season 2, Episode 10 "Coyotes"
Air date: 3-11-03
The show seemed oddly just a little light in tone, at least relative to the general tone of the series. Quick review makes me realize that this may be the least violent episode of the series to date. There were no murders, tortures, nor even a major fist fight. The worst direct act of violence was the new Strike Team trainee kicking over a perps chair before Lemonhead pulled him off.
This toning down of violence suits me. It's a little bit of cleansing the palette so as not to be so jaded that the depictions of violence are ineffective. There'll doubtless be some ugly stuff next week to make up for it. They gave the ol' ultra-violence a bit of a rest.
In fact, the show does not suffer from this less violent tone. They got great drama and intrigue from the Gilroy resolution. It set tests for Vic in terms of his ideas of loyalties and practical personal considerations. Not having people shot or tortured to death doesn't mean that there's nothing going on.
Note how hard he's struggling to keep it between some kind of lines, but hasn't quite figured out where they are. He'd have a LOT more legitimate reason to just eliminate Gilroy than he ever had for Terry in the pilot.
The denouement was outstanding. Having Gilroy pay what turned out to be his own hitman, then handing those instructions to Shane slammed the lid pretty well tight shut on Gilroy- without having to kill him.
------------------------------------
Danny and Julien's story with the pregnant Latina who wants to kill her ex-boyfriend's baby presents a tough social situation. Seeing her stretched out eight months pregnant and purposely getting herself cut up in a knife fight has to hit you.
It's never brought up exactly, but when you see this, would you still think this woman should be recognized to have a right to kill that child? Really? If I were a judge with this woman and her story in front of me, I'd be looking for a reasonable legal excuse to ORDER an emergency c-section delivery.
Note how this situation reflects deep into other social issues, but not by being set up for such purpose. They didn't work up a story line about abortion. Indeed the word is never used. They appear to have written the story mostly as a reflection on Danny, and her personality and life situation. We get the other social ramifications as a natural outgrowth of character based storytelling rather than being bludgeoned with "issues."
**************************
Season 2, Episode 11 "Inferno"
Air date: 3-18-03
This fake rape story surely rates among the less serious situations in the series, in that no one was even physically attacked. Yet I personally felt worse for poor Mr. Rosen, the shop owner than almost any other character. The poor bastard just got destroyed. This evil bitch is 17 going on 30, and a treacherous evil thing that would be likely misery and destruction for many men to come. She'd be a real likely deserving candidate to come up dead in a ditch from trying some ugly blackmail like this with some nasty white trash, rather than this nice Jewish shop keeper. Damn.
------------------------------
Ronnie got more interesting in this episode. He had started becoming the pussy of the crew, worrying about did Armadillo mean to come after him, too, or just Vic. Yet today, his first day back after Armadillo burned off half his face, he's changed for the braver. Apparently, he took his injuries as a kind of liberation, and come back all gung ho for ripping off the Money Train. He seemed to have found his fears worse than the actual attack. Of course, Armadillo being dead now helps as well. Still, he suddenly seems far less risk averse than before.
------------------------------
------------------------------
Only around the third viewing did I fully appreciate the denouement of Lani's "independent auditor" storyline. After a whole season lingering around, disrupting the place, and nearly getting Vic's guys goddam SHOT in this episode, her inquiry ends with a whimper rather than a bang. Claudette explains to her exactly what the impact of her report will be (ie nothing) but with some quick, sharp poetic details. Then Vic is waiting by the door to see her off, giving a brief recap of their outstanding successes just that very day. Gee, hope you can do something to stop all this. Bon voyage, you smug idiot.
This is not a sexy, bangup ending to the Lani storyline, but it's just right. It sums up the politics (Claudette) and makes a good brief case (Vic) for why nothing needed done anyway. Plus the bumbling IA and feds she had in this episode were in themselves good arguments for just shutting her down and being done.
**************************
Season 2, Episode 12 "Breakpoint"
Air date: 3-25-03
------------------------------
**************************
Season 2 finale, Episode 13 "Dominoes Falling"
Air date: 4-1-03
"Results don't excuse bad behavior." Claudette -the shows' official voice of conscience- says this to Vic. As a general philosophical comment, most of us would naturally agree. Particularly considering that we're talking about cops and civil liberties, a long time member of the Libertarian Party such as myself would vigorously concur.
It sounds a lot different in the context, though. Consider what exact bad behavior and what exact results, and Claudette starts to sound like an ingrate.
The "Johnnies" gang, attempting a comeback, has just revived an old April Fool's day tradition (note the original broadcast date) which involves a random killing for each of their homies killed over the past year, in this case three. "Johnnie says 'April Fools'" and BLAM.
The first random schmuck to get snuffed happened to be Claudette's ex-husband, out in a car with their daughter. Vic, whom Claudette strongly resisted from having any part in the investigation, quickly figured out the gang connection, and the gist of what was going on.
The "bad behavior" was that Vic let his new team member Tavon put a gun to the head of the Johnnie's leader and convince him that he was willing to blow his brains out if he didn't tell him who was involved. Most importantly, they needed to know who the other two shooters were supposed to be before they killed anybody. [This was the most compelling one scene to watch in this episode.]
Granted, they violated the hell out of the Johnnie's civil rights. They might have taken their time with interrogating him properly, and with a lawyer present as far as it concerned finding the guy who murdered Claudette's husband.
However, there were known to be two more Johnnie jackasses set to kill random civilians within the next several hours. Would it have been better to let two more people be killed in order to say that you were ethical and constitutional?
I'm not entirely sure what to think here, which is good. It means I HAVE to think, to parse out the right and wrong not just in the nice platitudes of political philosophy, but in how it really applies in practice.
On one hand, I see the dangerous allure. Well, yeah, this was a special case, but then there are always LOTS of special cases. Turn a blind eye to clearly illegal behavior by cops, and you're asking for a police state. We're already halfway there just on the "special needs" of fighting the drug war.
On the other hand, Vic saved two innocent citizens from getting whacked. He did so at the expense of terrorising a murdering gang-banger. The guy badly needed terrorizing.
Claudette's immediate and complete refusal to give Vic credit strikes me as pigheadedness. Having a strong conscience, a sense of right and wrong, is good. However, maybe your conscience isn't always on the right settings. All that "morality" and "ethics" and "integrity" and all those other things have to be judged by how they work in the real world. Otherwise, they can degenerate into mere smug self-satisfaction.
In this case, there's no two ways about it: Tavon and Vic were acting in a highly illegal manner. Also, knowing the facts of the case, if I were on a jury trying them for crimes against the banger, I'd vote for acquittal.
--------------------------------------------------
The end of the season upended the power balances in the show in numerous ways. Just working out the new equilibrium of these forces would be enough to run a whole season of new shows.
Captain Aceveda won his primary, which means he will be their for another six months in the Barn, and pretty much immune from control higher up. For he will then become a city councilman, as Vic put it "our bosses' boss."
Yet Vic on the other end has something of a newly enhanced power base, to the tune of however many millions of dollars the team ripped off from the mob. Even without announcing it to anyone, which they obviously couldn't, the Strike Team has practically unlimited resources if they need them. The threat of losing their jobs or pensions won't be much of a threat. They can hire the top shysters in the business if they get into trouble.
All in all, power (Aceveda) vs money (Vic) vs conscience (Claudette) promise great things for season 3.
--------------------------------------------------
The last shot of the season really impressed me. It was simple, but highly dramatically effective, and haunting.
After a very rough day privately hijacking a huge truckload of Armenian mob money, and all kind of other crazy stuff going on back at the station, the Strike Team finally gets to look at the results. The other three are standing quietly around the table as Vic comes in, grinning and slapping backs. Yee-haw! We did it.
Then he goes quiet. He's standing there with the rest of the team looking at millions of dollars. You can see them all registering what might best be described as looks of shock and awe. [This plays as the end of a musical montage to "Overcome" by Live] The last seconds of the season show the team standing utterly still and quiet, contemplating the implications of this turn of events and how it will change their lives.
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